One of the best-known bits—perhaps the best-known bit—of the inscription of Diogenes of Oinoanda is frs. 2–3, in which the author explains what motivated him to display Epicurean doctrines in epigraphical form.

One of the best-known bits—perhaps the best-known bit—of the inscription of Diogenes of Oinoanda is frs. 2–3, in which the author explains what motivated him to display Epicurean doctrines in epigraphical form.

In fr. 69 Smith, the Epicurean Diogenes of Oinoanda, like Lucretius 4.353–63, explains why a square tower viewed from the distance appears to be round. The explanation is that εἲδωλα, filmy atomic images, emanating from the tower, are forced out of shape by the air through which they pass on their way to our eyes. Diogenes’ account is fragmentarily preserved on a stone which I discovered in 1970. The stone bears the right half of one fourteen-line column and the left (...) half of a second one. I first published the text in 1971. When, twenty years later, I came to deal with it again, in preparing an edition of all the known fragments, I was able, thanks in no small measure to the discussions and suggestions of other scholars, whose names can be seen in my apparatus criticus, to print a text which represents a considerable advance on that of the editio princeps. However, with so much of what Diogenes wrote missing, there has remained scope for further progress, and in this note I correct an error—an error present not only in my text, but also on the stone itself. (shrink)

In fr. 69 Smith, the Epicurean Diogenes of Oinoanda, like Lucretius 4.353–63, explains why a square tower viewed from the distance appears to be round. The explanation is that εἲδωλα, filmy atomic images, emanating from the tower, are forced out of shape by the air through which they pass on their way to our eyes. Diogenes’ account is fragmentarily preserved on a stone which I discovered in 1970. The stone bears the right half of one fourteen-line column and the left (...) half of a second one. I first published the text in 1971. When, twenty years later, I came to deal with it again, in preparing an edition of all the known fragments, I was able, thanks in no small measure to the discussions and suggestions of other scholars, whose names can be seen in my apparatus criticus, to print a text which represents a considerable advance on that of the editio princeps. However, with so much of what Diogenes wrote missing, there has remained scope for further progress, and in this note I correct an error—an error present not only in my text, but also on the stone itself. (shrink)

The ninth and last poem in Book 4 of the Silvae is an amusing hendecasyllabic piece in which Statius, addressing Plotius Grypus, reproves him for having sent him for the Saturnalia a tatty, second-hand copy of a boring book in return for the fine, expensive, new volume which was Statius' present to him. The poem includes a long list of humble and/or poor-quality items, any of which, it is suggested, would have been more acceptable than Grypus' gift. Included in the (...) list are eggs. (shrink)

The ninth and last poem in Book 4 of the Silvae is an amusing hendecasyllabic piece in which Statius, addressing Plotius Grypus, reproves him for having sent him for the Saturnalia a tatty, second-hand copy of a boring book in return for the fine, expensive, new volume which was Statius' present to him. The poem includes a long list of humble and/or poor-quality items, any of which, it is suggested, would have been more acceptable than Grypus' gift. Included in the (...) list are eggs. (shrink)

In 294 most modern scholars either accept rapidique or adopt Lachmann's rapideque. An exception is Romanes, who oddly favours rapidisque, which he takes with impetibus crebris, placing a comma after corripiunt. If rapidique is read, one has to assume that Lucretius is writing as though venti, not flamina, were the subject. There are parallels for this kind of grammatical irregularity , but there is no need to assume an irregularity here, for, as E. J. Kenney has pointed out to me, (...) the right reading is almost certainly rapidoque. rapidoque was favoured by Lambinus, but did not originate with him. He notes ‘ex libris scriptis alii habent, rapidoque rotanti, alii rapidique rotanti’, and Pius knew rapidoque, which is printed in the ed. Juntina . rapido…turbine is strongly supported by 1.273 rapido…turbine and 6.668 rapidus…turbo, also by subito…turbine in 1.279, a line which, as we shall see, is to be closely compared with 1.294. (shrink)

In 294 most modern scholars either accept rapidique or adopt Lachmann's rapideque. An exception is Romanes, who oddly favours rapidisque, which he takes with impetibus crebris, placing a comma after corripiunt. If rapidique is read, one has to assume that Lucretius is writing as though venti, not flamina, were the subject. There are parallels for this kind of grammatical irregularity, but there is no need to assume an irregularity here, for, as E. J. Kenney has pointed out to me, the (...) right reading is almost certainly rapidoque. rapidoque was favoured by Lambinus, but did not originate with him. He notes ‘ex libris scriptis alii habent, rapidoque rotanti, alii rapidique rotanti’, and Pius knew rapidoque, which is printed in the ed. Juntina. rapido…turbine is strongly supported by 1.273 rapido…turbine and 6.668 rapidus…turbo, also by subito…turbine in 1.279, a line which, as we shall see, is to be closely compared with 1.294. (shrink)

The new readings recorded here are derived from epigraphic squeezes made at Oenoanda in May 1971.

The new readings recorded here are derived from epigraphic squeezes made at Oenoanda in May 1971.

1974, 58 Seiten, 5 Tafeln, 17 Abbildungen, 29,7x21 cm, broschiert.